Taika Waititi Says Film Critics Are Sad Lost Souls

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For five years, he was the on-air host of IFC News on the Independent Film Channel, hosting coverage of film festivals and red carpets around the world. A member of the New York Film Critics Circle, he’s been a frequent contributor to the television shows CBS This Morning Saturday and Ebert Presents At the Movies, and his writing has also appeared in print and online at The Village Voice, The Dissolve, and Indiewire. His first book, Marvel’s Spider-Man: From Amazing to Spectacular, is on sale now.”,”thumbnail”:”https://townsquare.media/site/442/files/2024/09/attachment-22222.jpg”,”url”:”//screencrush.com/author/mattsinger/”},”firstCategoryName”:”Movie News”,”postType”:”post”,”postTitle”:”Taika Waititi Says Film Critics Are ‘Sad Lost Souls’ Who Are ‘Out of Touch’”,”aiseopTitle”:”Taika Waititi Says Film Critics Are ‘Sad Lost Souls’”,”widgetTime”:28},”data”:[550585],”dataDetails”:{“550585”:{“thumbnail”:”https://townsquare.media/site/442/files/2026/10/attachment-gettyimages-2301049104.jpg”,”caption”:”Getty Images”,”excerpt”:”“Irrelevant. Out of touch. Obsolete. In the bin.””,”date”:”October 31, 2026 10:14 PM”,”postDateGmt”:”2026-11-01 02:14:18 +0000″,”postModifiedGmt”:”2026-11-01 02:14:18 +0000″,”title”:”Taika Waititi Says Film Critics Are ‘Sad Lost Souls’ Who Are ‘Out of Touch’”,”url”:”https://screencrush.com/taika-waititi-says-film-critics-are-sad-lost-souls-who-are-out-of-touch/”,”id”:550585,”postType”:”post”,”wpVersion”:”1″,”sponsors”:[],”stationAppMeta”:{“openinexternalbrowser”:”0″,”urloverride”:””},”alternateMetaForBlogroll”:{“title”:”Taika Waititi Says Film Critics Are ‘Sad Lost Souls’ Who Are ‘Out of Touch’”,”excerpt”:”“Irrelevant. Out of touch. Obsolete. In the bin.””,”post_excerpt”:”“Irrelevant. Out of touch. Obsolete. In the bin.””,”post_more_excerpt”:”

“Irrelevant. Out of touch. Obsolete. In the bin.”n

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Taika Waititi’s latest movie is not getting great reviews, a state that Waititi blames on film critics being “sad lost souls” who are “irrelevant.”

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On his Instagram account, Waititi shared an image that said his new film, Klara and the Sun is performing better with general audiences than film critics. As a caption, he wrote, “I haven’t read a review of anything aimed at me or my peers in almost 15 years. But I do listen to the people.”

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He added:

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So this Halloween, let’s spare a thought for those sad lost souls who couldn’t achieve their dreams of becoming artists, and thus settled, and became critics. The same people who also hated Jojo Rabbit … Irrelevant. Out of touch. Obsolete. In the bin.

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So this Halloween, let’s spare a thought for those sad lost souls who couldn’t achieve their dreams of becoming artists, and thus settled, and became critics. The same people who also hated Jojo Rabbit … Irrelevant. Out of touch. Obsolete. In the bin.

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READ MORE: 2026 Movies With the Biggest Differences Between Rotten Tomatoes Critics and Audience Scores

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On Rotten Tomatoes, Waititi’sKlara and the Sun currently holds a 26 percent approval rating from critics and a 74 percent rating from paying customers. So he’s certainly correct that in this particular case, audiences like the movie more than film critics, and at a much higher percentage.

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But critics by and large have liked the vast majority of Waititi’s work — includingJojoi, which Waititi says critics “hated.” In fact, that film holds a “Certified Fresh” 81 percent on Rotten Tomatoes, an overwhelming consensus of positive reviews. If a few critics disliked it, a higher percentage of them still recommended it than “the people” that Waititi supposedly listens to did for Klara and the Sun. In other words: More critics likedJojo Rabbit than audiences likedKlara and the Sun.

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Those sad lost soulsalso lovedThor: Ragnarok(93 percent on Rotten Tomatoe),Hunt for the Wilderpeople(97 percent), andWhat We Do in the Shadows(96 percent). In fact, the critics’ scores for those movies areallhigher than the audience scores. (87, 91, and 87 respectfully.) Perhaps the audience’s souls were lost for a bit too.

“,”podInfo”:{“type”:”tag”,”name”:”p”,”attribs”:{“dangerouslySetInnerHTML”:{“__html”:”Those sad lost soulsalso lovedThor: Ragnarok(93 percent on Rotten Tomatoe),Hunt for the Wilderpeople(97 percent), andWhat We Do in the Shadows(96 percent). In fact, the critics’ scores for those movies areallhigher than the audience scores. (87, 91, and 87 respectfully.) Perhaps the audience’s souls were lost for a bit too.”}}}},”currentTextLength”:393,”runningCounter”:4,”cumulativePodTextLength”:1377,”totalSimilarConsecutiveElements”:4,”totalTextLength”:1377},{“type”:”singlePostNewsletter”,”data”:{“title”:”Signup for the ScreenCrush Newsletter”,”description”:”Get the best of ScreenCrush delivered to your inbox everyday”,”confirmation”:”Thanks for subscribing!”,”lists”:”ScreenCrush”},”runningCounter”:1,”totalSimilarConsecutiveElements”:1},{“type”:”singlePostGallery”,”data”:{“id”:”6ad19626c2a3c95585d33cb7″,”iscarbongallery”:1,”layout”:””,”url”:”/rest/carbon/api/gallery/6ad19626c2a3c95585d33cb7″,”status”:”active”,”description”:”

Bad by design, good by accident.

“,”title”:”The 10 Most Hilarious Bad-on-Purpose Movies”,”source”:{“blogId”:442,”domain”:”screencrush.com”,”name”:”ScreenCrush”,”callsign”:”ScreenCrush”,”market”:”National”},”items”:[{“createdGmt”:”2026-10-16T03:27:59.207Z”,”id”:549971,”_id”:”6ad199bf70aa4cd9ebf8dee9″,”blogId”:442,”domainUrl”:”https://townsquare.media/site/442/files/2026/10/attachment-attack-of-the-killer-tomatoes.jpg”,”photo-url”:”https://townsquare.media/site/442/files/2026/10/attachment-attack-of-the-killer-tomatoes.jpg”,”photo-title”:”Attack of the Killer Tomatoes (1978)”,”photo-description”:”

Arguably the first of these dumb-by-design horror comedies was Attack of the Killer Tomatoes, which was conceived in the 1970s as a spoof on the monster-focused B movies that had dominated the airwaves in the era of nuclear paranoia and the Cold War. America was constantly being invaded by giant insects, giant lizards, even giant people — so it was only a matter of time before we got to giant man-eating tomatoes. The plot, such as it is, follows a group of specialists chosen by the president to discover the cause of a national killer tomato epidemic, which quickly devolves into an all-out world war of man vs. fruit. The only thing that can defeat the tomatoes is a terrible pop song called “Puberty Love,” which causes the tomatoes to shrink until they can be stomped on. The plot is goofy, the effects are terrible, and the one legit special effect — a real helicopter crash — was captured on camera completely by accident and later incorporated into the movie (the pilot was unharmed).

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